Stream Faerie Tale Theatre – Beauty and the Beast Movie Online
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Stream Faerie Tale Theatre – Beauty and the Beast Movie Online.
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FAERIE Yarn THEATRE’s production of BEAUTY AND THE BEAST makes for handsome family entertainment, with strong performances from lead actors Susan Sarandon and Klaus Kinski in the title roles.
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Beauty’s merchant father steals a white rose from the castle of the Beast (Klaus Kinski) . As punishment, the Beast orders that the merchant return to the castle in 3 days, or else one of his daughters must go in his region. Beauty selflessly sacrifices her occupy freedom to release her father, and goes in his set.
Once in the castle, Beauty slowly begins to salvage the friendship and trust of the Beast, who hides a gentle and kind heart beneath his shocking exterior.
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Directed by Roger Vadim and co-starring Anjelica Huston and Nancy Lenehan as Beauty’s jealous sisters, this version of BEAUTY AND THE BEAST is based on Jean Cocteau’s famous French movie classic. Highly-recommended.
Faerie Sage Theatre has produced some uncommon episodes over the years, but none more so than this disturbing revisioning of Jean Cocteau’s film classic as directed by, um, Roger Vadim. Vadim is best known as the director of visually stylish but empty-headed films like Barbarella and …And God Created Women. It goes without saying that this is an aesthetic episode, perhaps one of the most beautifully realized in the series. Vadim has borrowed many of Cocteau’s gothic flourishes, and the sets and costumes (especially the watch of the Beast) are straight out of that version. However, for all of its visual power, this is an underwhelming adaptation. Klaus Kinski as the Beast is inspired casting, and he lends the allotment a solemn gravity. Susan Sarandon, on the other hand, seems to be channeling Catherine Deneuve here. She’s more Belle De Jour than Beauty, all cool detachment and blank expression. This makes her final declaration of like for the Beast completely unconvincing. The fault lies honest as worthy in a script that never fully develops either character or their relationship. The Beast remains pitiable and elusive to the last, and it’s diminutive wonder Beauty never seems to gape him as anything more than a creature. The space meanders, and Vadim lifts moments from Cocteau’s version that, taken out of context, are more confusing than inspired. In the extinguish, however, perhaps this should be enjoyed simply for the atmosphere Vadim has created, no slight feat in a television production of this scope.
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