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THE OTHER BOLEYN GIRL suffers from overexposure to the passion for all things Tudor that has produced multiple novels, television series, and films that range from sizable to mediocre. Having not read Philippa Gregory’s best selling unusual, this viewer entered the theater without preconceived notions of the path the tale would take/stray in the wake of heightened interest in historical data. From the opening scenes to the kill the impression is one of having viewed some very delicate scenery, sumptuous costumes, immense lighting – and very petite involvement in caring for the dilemma of the characters. The soggy music earn underlines the unrelenting dusky atmosphere of the account and the production, and despite a cast of actors known for credibility in historic roles, there is slight compassion stirred.
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King Henry VIII (Eric Bana, in relatively shrimp conceal time) tires of Katherine of Aragon (Ana Torent) and her inability to contain a male heir. The Boleyn clan (Effect Rylance and Kristin Scott Thomas in collusion with the Duke of Norfolk David Morrissey) capture on Henry’s frustration and support up their daughters Anne (Natalie Portman) and Mary (Scarlett Johansson) to satisfy his dalliances. The younger Mary beds him first, does form a son, but falls out of favor leaving Anne to work her newly honed skills of feminism learned during her exile in France on the easily seduced King to become his queen, yet is able to only hold him a daughter, Elizabeth. The results are tension in the castle, in the Boleyn family, and between the sisters Anne and Mary. History is molded by the writer to believe more of a Hollywood soap opera that a recreation of fact and it all ends with beheadings and the child Elizabeth running gaily through sunny obsolete meadows of England.
The actors all try to construct us remove into this version of betrayal and lust and loathing, but the dialog (written by Peter Morgan) is tired and feeble and anything but in keeping with the period. But then, the movie is a collection of scenes that are very delicate to peep… Justin Chadwick directs. Grady Harp, March 08
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The Other Boleyn Girl is slither to give historian’s mixed feelings, and has elicited a wide range of reactions from audiences. It benefit’s from and adds to the interest surrounding King Henry VIII’s royal court. Showtime’s Tudors miniseries has heightened interest in all things related to English royal history.
Yet the writers have taken enough artistic liberties to raise questions regarding the accuracy of these accounts. This sage is based on the historical fiction fresh The Other Boleyn Girl by Philippa Gregory. Despite the artistic liberties taken with the chronicle it is very well effect together and gripping to leer for those willing to broaden their historical views on the period.
The Yarn and the Acting
The fable of King Henry VIII’s many romantic exploits are well known. He married Catherine of Aragon for political score, yet engaged in many well publicized affairs. Eventually, each of the Boleyn sisters landed in his crosshairs.
Eric Bana is very suitable as the king, though his isn’t the best written role in the film. Anne Boleyn’s character is dynamic and vindictive, and Natalie Portman shows her range here. Her sister Mary, played by Scarlett Johansson, catches the King’s attention. Though she is newly married, her husband is disposed of and the King has soon added her to his list of conquests.
But Anna will not be outdone. She coyly preys upon the King’s desires, and soon becomes the object of his affections.
All three of these actors achieve in strong performances. Johansson’s role is understated and Bana’s is exaggerated. Only Portman has a character with rotund range, both manipulative and vulnerable.
Jim Sturgess, whose star seems to be rising, has a somewhat understated role as the brother, George Boleyn. His role is ultimately manipulated by the powers that by to undermine Anne when her perceived value falls. He is perhaps the most under-utilized actor here, with few lines and a role not in keeping with the importance he played in history. Yet with his lead role in 21 to add to this one, he is clearly not hurting for work.
Yet the sets and the costumes are also characters here, as in any period allotment. The castle is made dark with expert lighting. The costumes and the makeup are also beautifully done, though I can’t comment on impartial how historically fair they are. Yes, we can seek information from Academy Award nominations in many categories, including costumes, space form, art direction and cinematography.
The DVD Extras
While the DVD version of this includes the standard commentary track to accompany the film, it is the other extras that really add dimensions to the record. There are bios and back-stories of primary characters which were halt in production value and exclaim to something one might perceive on The History Channel. Including the standard author, cast and crew sound-bites, there were also interviews of historians to keep the chronicle in context.
Warnings and Considerations
At the halt of the represent, after the inevitable historical event which everyone familiar with the record will be expecting, there is a somewhat peculiar montage of all the characters which includes brief captions explaining their fates and the historical significance of the events they took section in. The notes are hard to read, somewhat prosaic and are definitely subjective. Yet they do seem to command a message which I accomplish was intentional: that the somewhat petty sexual and interpersonal exploits of this group of people had large historical consequences for the UK, Europe and the world. This is very subjective, yet it partly justifies what is otherwise a very convenient and abrupt technique to demolish the movie and tie up all the tale lines neatly.
This is definitely a version that is not for kids. The legend deviates in sometimes repugnant ways, with the sex turning violent in at least one scene.
Some of the actors do suffer from a loss of their accents in some scenes, yet the in-the-moment performances compose that easy to ignore.
Conclusion
If you’re a fan of period pieces and all things English royalty, this movie is already on your list. It’s worth the brand of admission.
Enjoy!
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